Download PDF My Lunches with Orson: Conversations between Henry Jaglom and Orson Welles
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My Lunches with Orson: Conversations between Henry Jaglom and Orson Welles
Download PDF My Lunches with Orson: Conversations between Henry Jaglom and Orson Welles
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Review
“Addictive and entertaining.†―Vanity Fair“Welles was obviously uninhibited by the invisible tape recorder. The book is a trove of classic-era Hollywood gossip, but if it were only that, it would be, at best, candy. Instead, it's a treasure, both as a portrait of the artist and as a copious record of his ideas--it is, in fact, a key source for understanding Welles, the director and the man.†―Richard Brody, The New Yorker“If it wasn't bad enough that I--and every other director--have to compete historically with Orson as a filmmaker, now we have to compete with him as a pure storyteller and a true raconteur, a man whose breadth of knowledge and experience may never be equaled again in this industry. The good news is that his declamations on every subject are alternatively penetrating, illuminating, shocking, rude, funny, true, or all of the above. I read this in one sitting; I can't imagine anyone doing otherwise.†―Steven Soderbergh, director of Side Effects“My Lunches with Orson offers the experience of sitting in on a particular historical-cultural moment. Read with your Netflix on hand, as Welles's wealth of knowledge inspires re-viewings of both his own films and those of his favorite actors like Buster Keaton and Carole Lombard.†―The Christian Science Monitor“A wonderfully fluid peek into Welles' mind. Rich with acerbic observations about cinema, theater, filmmakers, actors, politics and the essence of storytelling, My Lunches With Orson might be the elephantine storyteller's last great work.†―Indiewire“It's time to add another line of adjectives to our descriptions of Orson Welles. In this remarkable collection of conversations, we come upon Welles the conversationalist provocateur who can't open his mouth without saying something outrageously funny, fiercely opinionated, and always off-center about the men and women he claims to have known, played with, worked for, slept with, been courted and betrayed by, and admired or detested (often simultaneously) during his half century in show business. I laughed so hard I had an asthma attack.†―David Nasaw, author of The Patriarch“We don't often get close to a legend, but here we have lunch with one week by week, in the last years of his life. Welles's conversations with Henry Jaglom glitter with memory, intelligence, and malice, and above all offer a magnificent act of self-impersonation: Orson Welles playing Orson Welles.†―Michael Wood, author of Film: A Very Short Introduction“When Henry Jaglom sent me the galleys, I was skeptical about their entertainment value. But as soon as I picked them up, I was hooked. Welles was an ornery, sometimes unpleasant genius, but his opinions on just about everything and everyone were unvarnished. You can almost hear the silverware clinking and the waiters delivering lunch as the likes of Richard Burton drop by to pay their respects…For those not fortunate enough to have Hollywood running through their family tree, this book may be the next best thing.†―Ralph Gardner Jr., The Wall Street Journal
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About the Author
Peter Biskind is the acclaimed author of Easy Riders, Raging Bulls, Down and Dirty Pictures, and Star, among other books. His work has appeared in The New York Times, the Los Angeles Times, The Washington Post, The Nation, and Rolling Stone. He is the former executive editor of Premiere and the former editor in chief of American Film, and is a contributing editor to Vanity Fair. He lives in upstate New York.
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Product details
Paperback: 336 pages
Publisher: Picador (June 24, 2014)
Language: English
ISBN-10: 1250051703
ISBN-13: 978-1250051707
Product Dimensions:
5.4 x 0.9 x 8.2 inches
Shipping Weight: 10.4 ounces (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
168 customer reviews
Amazon Best Sellers Rank:
#143,206 in Books (See Top 100 in Books)
This work is fascinating for anyone interested in historical eavesdropping, and you don't need any prior interest in or admiration of its subject as some great film maker. (As a matter of fact, while I had liked Orson as a warm likable character, I've always been bewildered by people finding either Citizen Kane or The Magnifcent Ambersons to be great movies, as I've always found them both to be just about unwatchable.)"My Lunches with Orson" put together by Peter Briskin, is derived from tape recorded transcripts from mutual Orson Welles friend admirer Henry Jaglom who sits with Orson over a period of a year and a half--which will be the last year and of a half of Orson's life-- and at Orson's instigation are recording their conversations as they have lunch at Orson's favorite restaurant favorite, Ma Maison, which is becoming popular because Orson dines in state there almost every day with his small lap dog. Illegal to have an animal in the restaurant, but Orson's dog is tolerated.So instead of interviews, it's them talking and changing conversations rapidly, and Orson is super knowlegeable about everything in the world, has a quicksilver mind, has met everybody in the world from all fields, pontificates about everything at great length,(food, dogs, politics, history, reveals he thought Spencer Tracy, Ingrid Bergman, Humphrey Bogart were rotten actors, the Irish are the worst people in the whole world,etc.) and Henry Jaglom is responding like any friend would with surprise and contradicting viewpoints in amused debates, and this sprinkled with Orson's intact memory reciting huge passages from Shakespeare, things from his own scripts. Plus sudden raucous laughter, dirty jokes, deeply felt insecurities and self-deprecation. All this during a time when Welles is struggling financially, trying to launch some projects in America and Europe which keep falling through at the last minute because the former Boy Wonder might be washed up, is kaftan-wearing overweight and having to use a cane.
I can't believe how much I enjoyed this book. I expected it be interesting, and probably informative, and dishy as hell--and it is. Welles is offensive, disagreeable, and usually rude, but if you can get past the cantankerous posturing and opinionated BS, you also get to hear history being unspooled, through these great stories and old-fashioned punch lines. It looks like the professional reviewers who praised this book notice its remarkable vivid quality. I agree, Who knew Welles had that Valley Girl cadence to his voice?Even though it looks like this book was just published last year (2013), this book is somehow utterly of its time. It reminded me, in the best and most uncanny way, of conversational books and interviews I read in my teens (in the early to mid-80s, exactly when Welles and Jaglom are having these lunches) with members of Welles' generation--Andy Warhol, of all people, kept coming to mind--and college professors who were also approximately Welles' age. These people could really *talk*, about anything, especially themselves, and keep you hooked for hours while they did it. (Is these an actor or director living today--besides maybe Roman Polanski--who could go off, repeatedly, on Andre Malraux, even if they wanted to?) I bought this book thinking it would be my nightstand reading for a few days, and then I stayed up all night reading it, because I couldn't put it down.
This relatively brief compendium of lunchtime interviews is a refreshing antidote to the numerous lengthy ponderous biographies and agenda driven studies of Orson Welles that have been published over the years.It is a sad recounting in his own words of his frustrating final few years as he struggles with his health and the futile efforts to continue his film directing career.The bitter tone that's pervasive is understandable as this acknowledged giant was impoverished and marginalized.Peter Biskind had done an excellent job of organizing and commenting on the material.The conversations between Welles and his great friend. champion, and dining foil Henry Jaglom are very entertaining and insightful. Many of the often told stories are repeated with new details and there's plenty of revelations and new material for Welles enthusiasts to enjoy.
I knew Orson and worked with him on several independent projects, and I must say that reading this book, I can hear Orson's voice in every line. I privately tape recorded Orson for myself, but I had no idea that such an archive of his opinions and comments ever existed. This is probably not for everyone, but anyone who enjoys authentic Hollywood history and getting the "inside track" from a man who was a bitter and often challenging critic, this is the most real you will ever find.
Wells' lunchtime talk was recorded for two years with his assent. He tells insightful, often hilarious stories about other actors, how Hollywood works, about making films, about U.S. politics, about art....on and on. He is brilliant and wise though driven by inner demons to eat to obesity and death from it.For example, he took a guest to watch Charlie Chaplin shoot a scene. All went well, until one of Charlie's six writers ran onto the set and exclaimed to Charlie that they finally had come up with a funny solution to a scene for him. Charlie was furious as he did not want anyone to know he had hired writers. He wanted everyone to think he invented all the gags himself. He fired that writer.
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